O.K… so this font (which happens to be one of my favourites), has an interesting history. Many, many features and refinements are constantly in the works. One of the original target markets for Besley's Clarendon design was to act as a bold face within body text, providing a stronger emphasis than the italic type that had been used for centuries for this purpose, and in this it matches the quite condensed body text faces of the period. a server and e.g. Function: Replaces a sequence of glyphs with a single glyph which is preferred for typographic purposes. . , Sentinel, from Hoefler & Frere-Jones, another typeface family based on Clarendon with italics added, was designed in 2009.
It began, possibly around 1821 in Britain, as a parody of the elegant Didone types of the period.  The Clarendon design was immediately very popular and was rapidly copied by other foundries to become in effect an entire genre of type design. "Three chapters in the development of clarendon/ionic typefaces", "2004 Friends of St Bride conference proceedings: How wood type tamed the west", "Hermann Eidenbenz - Linotype Font Designer Gallery", http://www.identifont.com/find?font=Clarendon&q=Go, "Monotype Craw Clarendon type specimen broadsheet, "Clarendon Text - Webfont & Desktop font «, "Superclarendon - Webfont & Desktop font «, List of fonts of the Clarendon typeface family at MyFonts.com, List of fonts of the Clarendon typeface family at Fonts.com, List of fonts of the Clarendon typeface family at Linotype.com, Comparison of MUTCD-influenced traffic signs, Comparison of traffic signs in English-speaking countries, Vienna Convention on Road Signs and Signals, Manual on Uniform Traffic Control Devices, Traffic Signs Regulations and General Directions.  , Slab serif lettering and typefaces originated in Britain in the early nineteenth century, at a time of rapid development of new, bolder typefaces for posters and commercial printing.  Revivals continued in the twentieth century, particularly in the 1950s. Function: Adjusts amount of space between glyphs, generally to provide optically consistent spacing between glyphs. It is a widely usable text type suited for distinction and style without sacrificing readability. (The modern system of issuing typefaces in families with a companion bold of matched design did not develop until the twentieth century. ), Ovink suggests, however, that the inspirration for the Linotype Ionics may have been more. For similar reasons they were also called Egyptian or Reversed Egyptian, Egyptian being an equally arbitrary name for slab serifs of the period.  Besley was nonetheless successful in business, and became the Lord Mayor of London in 1869. ", Slab serif lettering and typefaces originated in Britain in the early nineteenth century, at a time of rapid development of new, bolder typefaces for posters and commercial printing. Clarendon is the name of a slab-serif typeface that was released in 1845 by Thorowgood and Co. (or Thorowgood and Besley) of London, a letter foundry often known as the Fann Street Foundry. Enter your email address to subscribe to this blog and receive notifications of new posts by email.  In addition, the market of slab serifs was disrupted by the arrival of new "geometric" slab-serifs inspired by the sans-serifs of the period, such as Beton and Memphis. Download Free Superclarendon Rg Font (77 KB)
A typeface is the design of lettering that can include variations, such as extra bold, bold, regular, light, italic, condensed, extended, etc. , Because of their quirky, unusual design, lighter and hand-drawn versions of the style were popular for uses such as film posters in the 1950s and 60s.
The user enters 3/4 in a recipe and gets the threequarters fraction.   However, it was actually used in many parts of the world at the time. 5, appeared. Select the number of electronic publications, Please select the desired number of ad impressions.